Africa  by Nicolaes Visscher
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Afrika 1677

Nicolaes Visscher

€ 1.650

Inter-Antiquariaat Mefferdt & De Jonge

  • Über Kunstwerk
    “Africae Accurata Tabula”, copper engraving with original hand colouring by Nicolaes Visscher made in 1658, here in its second state published c. 1677. Size: 43,7 x 54,6 cm. The map illustrates the European view of Africa at the end of the 17th Century, filled with mythical towns, rivers, and mountains and continues to reflect the Ptolemaic view of Africa. Claudius Ptolemy imagined the Nile emanating from two massive lakes in south-central Africa, fed from springs in the imaginary Lunae Montes [the Mountains of the Moon]. The Niger River is shown as well - springing from a Niger Lacus in the general vicinity of the Congo, flowing north and then westward to empty near the actual location of the Gambia River. (The Niger, whose full course was not understood by Europeans until well into the 19th century, actually begins in West Africa well south of The Gambia, and then flows eastwards, emptying into the gulf of Guinea.) To prepare for this map, Visscher turned to the common model of the period which was Willem Blaeu’s 1608 wall map. Like Blaeu, Visscher shows a common source for the Cuama and Spirito Santo Rivers of the Zambese River originating in Sacaf Lacus in Southern Africa. The general outline of Africa is surprisingly modern in appearance. Of special note is the much greater detail that Visscher provides along the South African coastline. The first Dutch settlement under Jan van Riebeeck at the Cape of Good Hope had occurred in 1652, and it is likely that Visscher wanted to show this information on his map. Visscher introduces a number of Dutch names mixed with older Portuguese names. Among these names are Tafel Bay [Table Bay], Tafel Berg [Table Mountain], Robben Eyl [Robben Island], and Schorre hoeck (inland from C. das Aguillas [Cape Agulhas], the southern-most point in Africa). From about 1631 and prior to the issuance of this map, the Visscher publishing family used a a map of Arica of 1614 by Pieter van den Keere for their atlases. This map was used in a number of atlases produced by Nicolaas Visscher up to 1679, when upon his death, his son Nicolaas Visscher II began issuing his own Atlas Minor, using his father’s plate. The second state of the map has been found in atlases dated as late as 1696. The title cartouche in the upper right is surrounded by two Africans, one holding a scorpion and the other a cornucopia. The lower left of the map has an elaborate dedication to Gerard Schaep (1581-1655), a cartouche with Neptune, mermaids and a sea monster bears his coat of arms. Schaep was a mayor of Amsterdam sent by the States General of the Netherlands to London on 27 December 1651 as part of an embassy. The intention of the embassy was to convince the English to withdraw the Navigation Act and to negotiate a new commerce treaty. There were not successful and the First Anglo-Dutch Was resulted.  It can be assumed that Visscher’s dedication was to acknowledge this statesman upon his death. The fish being waved about in the cartouche, has little to do with Gerard Schaep and more to do with the mapmaker. Visscher’s name translates literally to “Fisher”, and thus fishermen and fish alike adorn many of the mapmaking family’s works. Price: Euro 1.650,-
  • Über Künstler

    Nicolaes war der einzige Sohn von Claes Jansz. Fischer. Er ist auch unter den Namen bekannt: Nicolaas oder Claes Claesz. Nachdem er jahrelang für seinen Vater im Geschäft gearbeitet hatte, folgte er ihm nach dessen Tod im Jahr 1652. 1662 wurde er in die Amsterdamer Buchhändlergilde aufgenommen und 1677 erhielt Nicolaes, inzwischen ein angesehener Verleger, von den Staaten Holland und Westfriesland ein 15-jähriges Patent für den Druck und die Veröffentlichung von Karten. Er starb zwei Jahre später und wurde in derselben Kapelle wie sein Vater begraben.

    Atlasausgaben von Nicolaes I enthalten:

    „Atlas Contractus Orbis Terrarum“ von 1657.
    „Germania Inferior“ von 1663.
    „Atlas Minor“ von 1675.
    Visschers Atlanten wurden oft nach den Wünschen der Käufer zusammengestellt (der sogenannte Atlas Contractus). Sie enthalten in der Regel keinen Text, nur manchmal einen gedruckten Index. Karten anderer Hersteller wurden verwendet, selbst gravierte und bearbeitete Kupferplatten von seinem Vater.

    Einer der Höhepunkte der Kartographie des 17. Jahrhunderts ist die mehrseitige Wandkarte. Ein Beispiel dafür – von 1656 – ist die Karte von Zeeland: „Zelandiae Comitatus novissima Tabula“. Diese bestand aus neun Blättern, die zusammen eine Größe von 140 x 160 cm hatten. Durch Hinzufügen von Stadtansichten konnte die Karte noch weiter vergrößert werden. Diese Stadtansichten wurden wiederum um 1668 unter dem Namen „Speculum Zelandiae“ veröffentlicht.

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