Newton discovering gravity 1992
Dennis Oppenheim
Tinte
90 ⨯ 63 cm
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Hans den Hollander Prints
- Über KunstwerkOriginal lithograph
"Newton discovering gravity". From the 50 original works of the Olympic Centennial Suite, the IOC printed 250 lithographs of each work, all measuring 63/90cm, on Arches vellum paper (270 grams), signed by the artist and numbered.
Dennis Oppenheim recreated, on a two-dimensional support, his artistic installation NEWTON DISCOVERING GRAVITY, made in 1984 in Artpark Lewiston, New York, where artists spent summers creating temporary artworks outdoors. This sculpture was a half transparent head in stainless steal mesh work which was also the platform for a firework extravaganza on 1 August 1984.
The "Olympic Centennial Suite ", brings together 50 works by international artists who are representative of the variety of contemporary artistic tendencies. It was created on the occasion of the centenary of the foundation of the International Olympic Committee in 1994. For the choice of the works, the IOC brought in two prestigious French art critics, Gérard Xuriguera and Francis Parent. More than two years were necessary to constitute this Suite, with the aim of representing, in just 50 works, the multiplicity of creative work produced over the last five decades, from the figurative to the abstract, from hyperrealism to minimalism, from the new figurative school to abstract expressionism, as well as geometrism, conceptual art, and body art. It was decided that each international artist selected should create a work on a two-dimensional support. Some of these artists, aware of the importance of the message of the Olympic Movement, have rendered this spirit a special homage, while always remaining faithful to their own personal style. This "Suite" can be qualified as the jewel of the art collection of The Olympic Museum. - Über KünstlerDennis Oppenheim (1938 - 2011) war ein US-amerikanischer Konzeptkünstler, Performancekünstler, Landkünstler, Bildhauer und Fotograf. Oppenheim wurde in Electric City, Washington geboren. Bald darauf kehrte seine Familie in ihr Haus in der San Francisco Bay zurück. Nach seinem Master of Fine Arts (1965) an der Stanford University in Palo Alto zog Oppenheim 1966 nach New York, wo er Kunstlehrer am Kindergarten und an der High School war. Oppenheim hatte seine erste Einzelausstellung 1968 in der John Gibson Gallery in New York City. Bis zu seinem Tod lebte und arbeitete er in New York City. Oppenheims Land Art umfasste Entwürfe, die in Weizenfelder geschnitzt wurden, und er verwendete seinen eigenen Körper in Performance-Arbeiten wie Reading Position for Second Degree Burn (1970). Weitere Arbeiten sind Blood Breathe (1996), zwei riesige umgekehrte Nasen und Lightening Bolt Man (2001), eine Leiche, die von einem Glasfaser-Blitz am Boden festgehalten wird. In den 1990er Jahren begann er auch, Alltagsgegenstände wie Pinsel und Sicherheitskegel zu vergrößern, um als Herzstück seiner Installationen zu dienen.
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